International
GROEF is the brainchild of Guy Roelofs (www.guyroelofs.nl), musician, teacher and producer. In 2007 he established a band especially for the Folkwoods festival. The idea behind this band was to arrange traditional Music from the Low Countries for a folk big band, with a focus on dancetunes.
Keeping the ballfolk hype in mind he has, basing himself on old material, given a new twist to the instrumentals and songs of GROEF.
Like always with Roelof's Music: present and past are once more intricately interwoven. This is not stuffy Music fit for a museum, but lively-sounding modern arrangements with roots in tradition.
After this festival he was asked if there would appear a cd with these arrangements.
Eventually they were recorded , "late in the evening under a flimsy moon", but with a different band line-up.
Guy Roelofs | Bouzouik, nyckelharpa, Keyboards | Tjane, EBBFB |
Jenny van Diggelen | Flute, Tin Whistle | Tjane, EBBFB |
Rudy Velghe | Fiddle, Nyckelharpa | Orion |
Raquel Gigot | Accordion | Orion |
Nele Martens | Vocals | Tjane |
Evelien Smits | Vocals | |
Kristien Segers | Vocals | |
Arjan van Tricht | Keyboards | Tjane |
Martin Vermeer | Bass | Tjane |
Jiroh Matulessy | Drums, Percussion | Tjane, EBBFB |
As you can see this is a remarkable collection of Flemish and Dutch musicians!
As far as the line-up go, the variation is upheld: 5 Belgians, 5 Dutch(wo)men, 5 men, 5 women, and with ages between 19 and 60. The backgrounds of these musicians are just as different: one is usually occupied with (neder)hiphop, another sings in an a capella choir and there are a few die-hard folkies.
For those who are aware of the ballfolk hype: opposed to most ballfolk bands most of Groef's back catalogue consists of songs. Guy Roelofs chose not to limit himself to the instrumental part of traditional Music to evoke the danceable features of the Music of the Low Countries.
This results in a unique sound. On the one hand based on old sources, but on the hand relying on 21st century possibilities.
That is exactly how Mr. Roelofs envisions his Music: link the present to the past and you end up with a thrilling combination of heritage and actuality. (This might not seem special for those who are aware of overall tendencies in World Music,but it is special for the folk Music of the Low Countries.)
Musicien, professeur et producteur, Groef est l’oeuvre de Guy Roelofs (www.guyroelofs.nl).
Conçu en 2007 pour le festival Folkwoods, le groupe a mis en place des arrangements de musiques traditionnelles des Pays-Bas pour grande orchestre, avec un repertoire entièrement dansable en bal trad.
Partant d’un materiel ancient, il a créé un son contemporain pour les chansons et morceaux instrumentaux interprétés par le groupe. Cette fois aussi, le present et le passé se donnent la main dans ces musiques, chose habituelle dans l’oeuvre de Roelofs.
Pas de musique muséale donc, sinon des arrangement modernes sur des airs traditionnels.
Après le festival, on nous a demandé s’il y aurait un cd de ce programme. Quelque temps plus tard on a enregistré “des avonds in klein maneschijn” (“le soir au clair de la lune”), avec une orchestration différente de celle du festival.
Guy Roelofs | Bouzouik, nyckelharpa, Claviers | Tjane, EBBFB |
Jenny van Diggelen | Flute, Tin Whistle | Tjane, EBBFB |
Rudy Velghe | Violon, Nyckelharpa | Orion |
Raquel Gigot | Accordeon | Orion |
Nele Martens | Chant | Tjane |
Evelien Smits | Chant | |
Kristien Segers | Chant | |
Arjan van Tricht | Claviers | Tjane |
Martin Vermeer | Basse | Tjane |
Jiroh Matulessy | Batterie, Percussion | Tjane, EBBFB |
Plein de variation entre les musiciens: 5 Belges, 5 Hollandais, 5 hommes, 5 femmes, en ages qui variant de 19 à 60 ans, avec des backgrounds tout à fait different, allant du (neder)hiphop, à la pratique du choeur ou du folk.
A difference du repertoire largement instrumental en bal trad, on a préféré un repertoire constitué en grande partie de chansons traditionnelles dansables des Pays-Bas, permettant une revalorization de celui-ci.
En même temps, la combinaison des sources anciennes et les moyens du siècle 21, permet d’avoir un son unique, une combinaison pétillante d’héritage culturel et actualité, tel qu’on peut la trouver aussi dans les musiques du monde.